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Top Five Movies That Make You Cry Like a Newborn (Part I)

We're not afraid to cry. Seriously. The Film Junkies convened to tackle a subject most men fear: movies that make them weep. Herein we each nominate our Top 5 tearjerkers, as well as some additional honorable mentions. Find out which classics and dark horse picks make the lists, and which one of Rob's selections makes Hoey swear he'll never contribute to the Film Junkies again.

Jump to:   Part I: Hoey's List   |   Part II: Fish's List   |   Part III: Rob's List

Part I: Hoey's List

Read 'em and weep, boys. Read 'em and weep.

Okay, this one was sort of tough. I came up with four very obvious choices -- one that stuck right out in my mind -- but I had trouble coming up with the fifth choice. But then the films, like the tears, came tumbling out. I won't deny it, I am one weepy bitch. So, here goes, in no particular order:


In America
In America I'd be hard-pressed to think of a time when I cried more in a movie. I mean, I just sobbed. This one just hit me and I don't know what it was. There's this beautiful moment in the last scene of the film, a brief two-line exchange between the father and one of his daughters that just killed me. It totally snuck up on me and though I'd been expecting to watch sort of a sad movie, I didn't realize it would hit me quite so hard. It was completely unexpected and I started crying without even noticing. A truly great, powerful little movie.



Dead Poets Society
Dead Poets Society The old standby. One of the few where I think it's okay for guys to admit they cried when watching it. I cried when Robert Sean Leonard committed suicide in his twig-branch crown. I cried when Ethan Hawke ran out into the snow and sobbed and had to be given a mouthful of snow to keep him calm. I cried at the end when they all get up on their desks, in defiance of the new teacher and in admiration of the departing Robin Williams, all of them crying out "O Captain, My Captain." When I was young and first saw it, I cried. I think it was the first movie to ever get me really emotional. And to this day, it still gets me.


Antwone Fisher
Antwone Fisher Okay, so it was sort of sappy and a bit over-sentimental. But it hooked me. Derek Luke is a knockout and his search for identity and family is pretty riveting at times. It was the sequence at the end that did it for me, though. When he finally tracks down his relatives and enters a home full of excited, eager faces, welcoming him with open arms, giving him a real home for the first time in his life, I'll be honest, I blubbered. I gushed. But come on, you'd have to have a heart made of stone for this sequence not to tug at your heartstrings at least a little.


Seven
Seven A controversial choice, I'm sure, to be dissected ad nauseam later, but I offer a worthy argument for its inclusion. It's not a melodrama, it's a police procedural thriller, not a typical choice for a list such as this. There is one reason for its inclusion, though and one reason alone. It all comes down to one particular scene, not a particularly long scene, but one that is infused with a lot of emotion. It's the scene in the diner where Gwyneth Paltrow and Morgan Freeman open up to one another. He tells her about his early life and an old girlfriend who had an abortion, while Gwyneth opens up about her own pregnancy and her confusion over what to do. Freeman tells her that if she chooses not to have the baby, that she can never tell her husband (Brad Pitt) that she was even pregnant. But if she does choose to have the baby, she needs to spoil that kid every chance she gets. As he says this, she gets choked up and teary-eyed and I swear, this moment gets me every time.


The Shawshank Redemption
The Shawshank Redemption I'm having difficulty recalling if I cried at any point during the course of the movie, any particular scene that got me choked up and teary-eyed. I'm not sure. The end certainly did it, though. When you see Red walking toward Andy on the beach and there's a brief moment where they look at one another and wave and then as the camera pulls back and from a distance you can see the two of them embrace, a years-in-the-making, once-in-a-lifetime, friendship-defining hug. Okay, maybe that's overstating it a bit, but it's a pretty damn powerful moment. Why do my picks keep revolving around Morgan Freeman? Oh well. This is another man's man flick, I think. One where it's okay to get choked up when watching. I mean, we've all done it. Right? Guys?


Hoey's Honorable Mentions

  • Moonlight Mile
  • Billy Elliott
  • Saving Private Ryan
  • Braveheart
  • The Full Monty
What can I say? I'm an emotional basketcase. I've been known to get teary-eyed when watching Dawson's Creek or even long-distance telephone commercials. I can't help it. I'm too sensitive. I'm probably going to start crying right now.

-- Hoey


The Film Junkies Respond to Hoey's Picks

FISH: I'm not going sit here and tear into Hoey's picks ... one man's weepy bitch material is another man's ... well, fodder? I'm sorry, I can't resist. I must comment.

Without going into specifics as to why, Hoey's Honorable Mentions for some reason include Braveheart and The Full Monty? Huh? I wish I had your reasons for these picks. Your explanation for Seven's inclusion is completely justifiable, especially since you graduated from the school of "If There's One Cool Character/Scene/Line of Dialogue in a Film That's Good, I Like the Film," and I have to say, that scene in Seven is the emotional core of the whole movie. The shocking ending, and really the above scene's context in a movie of coldly composed shots, really made your heart (and neck) ache. It made the movie a great movie.

I have a movie like that (mentioned in my Honorable Mentions), but I cannot allow you to leave Braveheart and The Full Monty on this list. They must be justified, or removed. Immediately.

Shawshank should make every man's list. Kinship, honor and trust between two men has never been explored so fully and naturally, except maybe The Blues Brothers. (That was a joke.)

Gotta say, I never warmed up to Dead Poets Society. It didn't move me at all. I thought it was sledge-hammer didactic and simplistic. There's always one movie that you just don't get that everyone else loves. Dead Poets Society is mine.

I'd like to see In America. I feel like I really missed the boat on that one.

ROB: I'll tear into some of Hoey's picks, particularly Seven and The Full Monty. Seven was the most disturbing movie I had ever seen at the time of its release in 1995, but it didn't make me cry. I'm not even sure how it can make you cry. You may need help, Hoey. As for The Full Monty, there are some poignant scenes in the film, and yes, it's a classic with beloved, memorable characters, but you've got to be way sensitive to actually shed tears during this motion picture. I say we strike those two from the record and make Hoey name two replacements.

Jump to:   Part I: Hoey's List   |   Part II: Fish's List   |   Part III: Rob's List








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